Update

I’m WORKING ON IT!

Why is the last 10% so dang hard? On top of it all, it’s the last 10% of 3 separate projects. I still need to re-proof both books, The damn page numbers are on the wrong sides of the page, THE INSIDE!!! How does that happen? So I have to spend 20 min fixing it, uploading it, waiting a day for C.S. to check it (24 hrs) and then re-order copies. More changes are needed for the second book.

As far as the record goes, it’s slower going. I rarely touch it. I did though, last night for a bit. It’s hard. Because when I listen to it for fixes, I’m not in front of my editing PC. I’m at work. So I have to wait to go home to do it, and by then I’m not really into it. It’s time has passed unfortunately. But on the flip side, I’m taking an objective approach with it now that the songs are stale to me, most anyway. I don’t remember how to play a lot of them, or remember what I wrote, so they’re fresh and I can add to them objectively. It’s interesting. Mixing is the toughest.

I have no proper monitors, my stereo speakers suffice and they’re located behind me. So I’m listening to it that way, or turning around and walking over. Mixing, waiting a day for a fresh listen, and by then I’m elsewhere, so I have to feel inspired again at some point and then also remember what I wanted fixed. It’s not efficient. It’s nearly there though.

Podcast? I need cans, that’s it. Once I have them, schedule some interviews and just jump the hell into it. That’s the only way I can perceive of it getting off the ground. I could ruminate on format etc. But if it gets past a month with any foreseen momentum, then I can focus on that stuff. It’ll be a shit show of sorts for a long while though i imagine. All I should worry about is who, when and how it’s getting out there. Oi.